A Continued Study Of The Real Life Story Behind - 2311 Words

Diana Dean ENG 1102 Sandra Rourke December 7, 2014 A CONTINUED STUDY OF THE REAL LIFE STORY BEHIND â€Å"WHERE ARE YOU GOING, WHERE HAVE YOU BEEN?† AND OF SERIAL KILLERS IN GENERAL The name of the man behind Joyce Carol Oates’s short story, â€Å"Where Are You Going, Where Have You Been?† is Charles Schmid, Jr. or â€Å"Smitty† as he was called by most everyone who knew him. I use both names interchangeably. The names of Schmid’s victims were Alleen Rowe whom he killed on May 31, 1964, with the help of two friends, John Saunders and Mary French; and Gretchen Fritz, and her sister, Wendy Fritz, whom he killed on August 16, 1965. My outside research on Charles Schmid, Jr. included reading the book, â€Å"Cold-Blooded, The Saga of Charles Schmid, the Notorious ‘Pied Piper of Tucson’† written by John Gilmore; reading the book, â€Å"Catching Serial Killers: Learning from Past Serial Murder Investigations† written by Earl James; and searching â€Å"Charles Schmid, Jr.† and â€Å"serial killers† on the Internet. How the minds of serial killers work is a very interesting subject indeed. I marvel at how a person could take the life of another human being – and enjoy it. Motivations behind one wanting to kill another can stem from feeling dismissed or rebuffed, the need for power and the need for perfection. It is also possible that a serial killer is trying to overcome some sort of physical limitation. 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Violation of Fourteenth Amendment Due Process Rights

FACTS Appellant Brady was found guilty of first degree murder by the Maryland Court system. During his trial hearing Brady admitted to participating in the organization and forethought of the crime with a partner, although plead that he himself did not commit the crime. After disclosing his involvement, Brady’s lawyer admitted to his guilt but asked for a lesser penalty since Brady didn’t commit the murder. Before trial Brady’s council asked for all relevant information to the trial and were given most, but not all of it. The withholding of evidence was a violation of due process laws in which a new trial was requested. A new trial was granted but only for sentencing and not a retrial of fact. PROCEDURAL HISTORY Brady was convicted of murder in the first degree even though he proclaimed not have committed the murder and that his partner in crime carried out the deed, no pun intended. 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Analysis of Similes in the Illiad Essay Example For Students

Analysis of Similes in the Illiad Essay In the Iliad, Homer finds a great tool in the simile. Just by opening the book in a random place the reader is undoubtedly faced with one, or within a few pages. Homer seems to use everyday activities, at least for the audience, his fellow Greeks, in these similes nearly exclusively. When one is confronted with a situation that is familiar, one is more likely to put aside contemplating the topic and simply inject those known feelings. This would definitely be an effective tactic when used upon the people of Homers day. From the heroic efforts in the Iliad itself it is clear that the populace of his time were highly emotional creatures, and higher brain activity seems to be in short, and in Odysseus case, valuable, order. It is also wise to remember that history is written by the winners. In the Iliad, there seems to be relatively little storyline from the Trojans side. We are regaled with story upon story of the Greeks, their heroes, and their exploits, while the Trojans are conspicuously quiet, sans Hector of course. It could almost be assumed that throughout time most of the knowledge of the battle from the Trojan side had been lost. Considering the ability to affect feelings with similes, and the one-sided view of history, Homer could be using similes to guide the reader in the direction of his personal views, as happens with modern day political spin. These views that Homer might be trying to get across might be trying to favor Troy. It could easily be imagined that throughout time, only great things were heard about the Greeks mettle in war, and that Homer is attempting to balance the scales a bit by romanticizing the Trojan peoples, especially Hector, and bringing to light the lesser-heard tales of Greek stupidity. Shortly into Book Two, Agamemnon gives the speech to his assembly about his plan to rally the troops with reverse psychology. Agamemnon shall announce he is giving up on taking Troy, whereupon the individual army captains will then prevent their doing so. When the announcement is made, King Agamemnon is startled to see the ranks, not surprisingly, take advantage of the chance to leave and make for the ships with vigor. Homer describes the scene as bees that sally from some hollow cave and flit in countless throng among the spring flowers, bunched in knots and clusters This simile is tainted with dark words like from a hollow cave and bunched in knots, giving thebees an ominous tone. The Greek ranks are painted as a throng of weak-kneed wimps with their constitution sapped, obviously not the case as they go on to win the war, but it suffices to cast the Lycians in a negative light. A short, but emotionally appealing, simile is found after the Greek warriors have changed their mind about leaving and return to the Scamander: They stood as thick upon the flower-bespangled field as leaves that bloom in summer. This scene assumes quite a juxtaposition. A flower-bespangled battlefield? This is perhaps an attempt to show the absurdity of the Greek army, changing positions from fleeing to brazenness as flowers are to the field of death. Near the beginning of Book Three a group of elders of Troy, not fighting material, but skilled orators, are found resting on the tower like cicadas that chirrup delicately from the boughs of some high tree in a wood. The cicadas song and the tree in a wood cast memories of repose and relaxation, rest and peace, which are then injected into the delicate elders. Another attempt of Homer to cast the Trojans in a favorable light. Later in the same book Ptolemaeus is Homers vehicle for putting down the Greeks again. Upon seeing shirkers of the front line of battle he likens them to frightened fawns who, when they can no longer scud over the plain huddle together. Undoubtedly, the men of Homers time hunted to survive, and relished the sight of the frightened fawns grouped together. But does not one also feel pity for them? This is a wonderful simile that brings home the nervous twitchiness that would denote a person scared to death in such a situation. A Doll"s House EssayHis reaction is described as like that of a man crossing a wide plain, dismayed to find himself on the brink of some great river rolling swiftly to the sea. Up until this point Diomedes had been a potent force for the Greeks. His newfound humility brought upon by the unsurpassable river of Hectors troops. It is enough to convince us that Hectors army is menacing in this facet alone, but to imagine that mass of fighting spirit would be enough to purge its enemies like the rapids swallows an unexperienced kayaker is all the more frightening. At the end of Book Six we find Paris catching up to Hector, to rejoin the battle. Paris takes off as a horse, stabled and fed, breaks loose and gallops gloriously over the plain to the place where he is wont to bathe in the fair-flowing river- he holds his head high, and his mane streams upon his shoulders as he exults in his strength and flies like the wind to the haunts and feeding ground of the mares- even so went forth Paris from high Pergamus, gleaming like sunlight in his armor, and he laughed aloud as he sped swiftly on his way. Obviously Paris is just as much a show off as Agamemnon, and definitely more vain. This simile is packed with phrases that exalt strength, beauty and gracefulness, but little reference to battle prowess, thus presenting Paris as nothing more than a figure-head. The notable laughing at the end is something that is singularly Trojan. Not once is a Greek found laughing, more evidence that Homer has glamorized the Trojan lifestyle. The method I used for ex amining these examples is exceptionally difficult. First, I examined the way the similes were used and the effect they achieved, and at the same time, and the same space, attempted to prove that Homer tried to bring the Trojans a sense of honor they didnt receive in battle. Homers similes proved to have been generally bipolar, good or bad, and he applied them liberally where needed. The goal of Homers trade, as a poet, was to stir people, and the easier the better. What better way than to appeal to ones already experienced emotions? To make a person feel like their everyday actions somehow partook in a greater story is what is accomplished by using the similes that Homer used. These similes brought the story down to earth, and everyday life into the story. There is evidence for Homer favoring the Trojans, at least literarily, in this poem. His consistent use of beauty and grace with the Trojans contrasted with the viciousness portrayed in the Greeks is clear. Homer might have given other Trojan warriors besides Hector moments of aristea also if their exploits had not have been lost through time. Anyone, especially a poet, would feel indebted to the dead to give them some honor for their duties, and Homer has done just that.